Although she is saddened that storm damage has caused her to lose some of her branches, Little Tree draws strength and happiness from the knowledge that she still has a strong trunk, deep roots, and a beautiful heart.
A forefront productivity expert identifies four major work personality types and challenges popular time-management practices to outline step-by-step recommendations for making work more simple through customized approaches. Includes tables.
Join Candace Cameron Bure, actress best known as D.J. Tanner from Full House and a New York Times bestselling author, whose faith and wit have delighted audiences for decades, as she lets you in on her best-kept secrets for Staying Stylish. This gorgeous manual for beauty, style, health, and spiritual wellness will be your one-stop shop for everything you need to live your most stylish life. As an actress, producer, New York Times bestselling author, and inspirational speaker, Candace Cameron Bure has spent her entire life in the spotlight, and she is well aware of the pressures and forces many women face. Throughout her career, Candace has balanced her faith, family, and passion for work and found her spot as role model to women of all ages—and as a style icon. In her brand-new book Staying Stylish, Candace invites you behind the scenes of her day-to-day life and shares over 100 tips and tricks for looking and feeling your best—both inside and out. Nurture your body, style, and soul as you read through this beautiful book full of photos, insider secrets, and exciting ideas to revamp your own life into its best possible version. She offers her insight into balance, spiritual growth, and looking great while doing it all. Staying Stylish topics will include personal style, fresh hair and makeup for any age, a well-balanced diet and fitness regime, and a well-nourished spirit.
Why do men talk and women gossip, and which is better for you? Why is monogamy a drain on the brain? And why should you be suspicious of someone who has more than 150 friends on Facebook? We are the product of our evolutionary history, and this history colors our everyday lives—from why we joke to the depth of our religious beliefs. In How Many Friends Does One Person Need? Robin Dunbar uses groundbreaking experiments that have forever changed the way evolutionary biologists explain how the distant past underpins our current behavior. We know so much more now than Darwin ever did, but the core of modern evolutionary theory lies firmly in Darwin’s elegantly simple idea: organisms behave in ways that enhance the frequency with which genes are passed on to future generations. This idea is at the heart of Dunbar’s book, which seeks to explain why humans behave as they do. Stimulating, provocative, and immensely enjoyable, his book invites you to explore the number of friends you have, whether you have your father’s brain or your mother’s, whether morning sickness might actually be good for you, why Barack Obama’s 2008 victory was a foregone conclusion, what Gaelic has to do with frankincense, and why we laugh. In the process, Dunbar examines the role of religion in human evolution, the fact that most of us have unexpectedly famous ancestors, and why men and women never seem able to see eye to eye on color.
From the highly acclaimed, bestselling National Book Award finalist and author of A Short History of Women, a searing and timely novel about a teenaged girl, a charismatic teacher, and a dark, open secret. They were on a lark, three teenage girls speeding across the greens at night on a “borrowed” golf cart, drunk. The cart crashes and one of the girls lands violently in the rough, killed instantly. The driver, Jo, flees the hometown that has turned against her and enrolls at a prestigious boarding school. Her past weighs on her. She is responsible for the death of her best friend. She has tipped her parents’ rocky marriage into demise. She is ready to begin again, far away from the accident. Taut, propulsive, and devastating, His Favorites reveals the interior life of a young woman determined to navigate the treachery in a new world. Told from her perspective many years later, the story cooly describes a series of shattering events and the system that failed to protect her. Walbert, who brilliantly explored a century of women’s struggles for rights and recognition in her award-winning A Short History of Women, limns the all-too-common violations of vulnerability and aspiration in the lives of young women in this suspenseful short novel. From the publisher of the classic A Separate Peace, His Favorites is an urgent book by a “wickedly smart writer” (The New York Times Book Review) whose work is “fascinating, moving and significant” (The Washington Post).
In alternating chapters, the story tells of the mermaid Syrenka's love for Ezra in 1872 that leads to a series of horrific murders, and present-day Hester's encounter with a ghost that reveals her connection to the murders and to Syrenka.
She’s a beautiful young widow. He’s a Southern gentleman with a thirst for adventure. Both need a place to call home. After losing her husband in the Civil War, Carrie Daly is scared she will never have the family she longs for. Eligible bachelors are scarce in Hickory Ridge, Tennessee, but Carrie has found love. Not the weak-in-the-knees kind, but something practical. Still, she isn't quite ready to set a wedding date with Nate Chastain. Griff Rutledge is a former member of Charleston society, but has been estranged from his family for years. He’s determined to remain unattached, never settling in one place for too long. But when asked to train a Thoroughbred for an upcoming race in Hickory Ridge, he decides to stay awhile. Despite objections from the townsfolk, and her fear that true happiness has eluded her, Carrie is drawn to Griff's kindness and charm. It will take a leap of faith for them to open their hearts and claim God's promise to give beauty for ashes.
Editors Mark Husbands, Roger Lundin and Daniel J. Treier present ten essays that explore a Christian approach to beauty and the arts. Theology has much to contribute in providing a place for the arts in the Christian life, and the arts have much to contribute to the quality of Christian life, worship and witness. The essays consider the visual arts, music and literature, as well as the theological meaning and place of the arts in a fallen world redeemed by Christ. Features and Benefits Features ten essays by notable authors including Jeremy Begbie, Roger Lundin and Edward Oakes Offers a lively investigation of a neglected topic: the arts A useful resource for pastors, artists, students, theologians and persons interested in the arts
The rapid growth of Complementary and Alternative Medicine (CAM) demands that the public, the medical world, social scientists, the media, and governments pay attention. People are questioning the limits of what modern medicine can accomplish and seeking additional ways to manage their health. While many are enthusiastically adopting complementary and alternative forms of medicine, others are more sceptical. Physicians' attitudes are in transition, and governments are pondering where this increasingly important phenomenon fits into the health care system. The challenge is to keep pace with the changing ways that people view health and illness, take reposibility for themselves, and incorporate CAM into their health care. This text brings together for the first time a wide range of leading North American and European social scientists to identify who uses CAM, why they use it, and how they find out about it. Presenting research from psychology, sociology, anthropology and public health, they alert us to the current context of CAM use and provide new models and techniques for understanding its future place in health care.
Accompanies an exhibition focusing on Doris Duke's Hawaiian estate Shangri La and its influence on modern architecture and Islamic art and design.
Elizarenkova, perhaps the greatest living scholar of the Rgveda and certainly its greatest linguist, explains here the relationships between a very complicated grammatical system and the peculiarities of style of the archaic religious poetry. The laudatory hymn is treated as an act of verbal communication between the poet Rsi and the deity, with the hymn itself transmitting certain information from man to god. From this viewpoint, the hymn is used as a means to maintain a circular exchange of gifts between the Rsis and their gods. Many peculiarities of the functioning of the grammatical system of the Rgveda are interpreted in connection with the model of the universe of the Vedic Aryan. For example, the concept of time as a circular process bears closely on the use of the verbal grammatical categories of tense and mood; the personification of some abstract forces can explain some irregularities in the functioning of the nominal category of gender; and the idea of magical power attributed to the Sacred Speech in general, and to the name of a god in particular, underlies the magical grammar of this religious poetry.
|Condensed outlines of articles published in Reports 1-19, Bulletins 1-133, 1887-1907, [by Joseph L. Hills], |in no. 20 p. 387-505.
She was once a southern, trailer-trash plaything for her abusive step-father to patronize. Today, Nicky Keenly is a relaxed, hard-core, confident professional with a booming million dollar thoroughbred company. She has the reins on things around her and control of her own life, now... or at least she thinks she does. Her perfect life, still isn’t enough to keep this investigator retired for long. After taking a case in her home town, Nicky finds that the longer she remains, the more she reverts back to an unstable past she had buried years ago. Locked away memories are crawling back into her flawless world with a vengeance. She begins to question, not only her cognitive abilities to complete her self-assigned duties, but whether or not she has EVER had a grip on her own reality or completely healed from a past that has haunted her subconsciously her entire life. Even she is unsure of who she is truly chasing?
Complementary Medicine: an objective appraisal consists of ten contributions by experts from various countries, each of whom looks critically and constructively at a fundamental aspect of the subject. This book is not specific to a particular country, nor is it confined to specific therapies. It is not written solely by doctors or by lay practitioners. It does, however, provide balanced and informed views on fundamental, general issues within complementary medicine and is aimed at all professionals who are seriously interested in the subject.
Kathy Gruver's book is so engaging, I could not put it down. it is personally and professionally mesmerizing - an invitation to anyone seeking freedom of the human spirit to soar, stretch and heal. The author achieves this through her own personal journey and ups and downs, seeking her own inner truth, testing out multiple healing arts modalities, and sharing her knowledge her wisdom, and her personal and professional experiences with anyone seeking this path of enlightenment. I could not stop learning from her or stop reading such engaging personal stories. This work is for anyone, lay and professional alike. - Jean Watson, PhD, RN, AHN-BC, FAAN Founder/ Director Watson Caring Science Institute
This is a book of miracles--medical events witnessed by leading physicians for which there is no reasonable medical explanation, or, if there is, the explanation itself is extraordinary. These dramatic first-person essays detail spectacular serendipities, impossible cures, breathtaking resuscitations, extraordinary awakenings, and recovery from unimaginable disasters. Still other essays give voice to cases in which the physical aspects were less dramatic than the emotional aspects, yet miraculous and transformational for everyone involved. Positive impacts left in the wake of even the gravest of tragedies, profound triumphs of heart and spirit. Preeminent physicians in many specialties, including deans and department heads on the faculties of the top university medical schools in the country describe, in everyday language and with moving testimony, their very personal reactions to these remarkable clinical experiences. Among the extraordinary cases poignantly recounted by the physicians witnessing them: A priest visiting a hospitalized patient went into cardiac arrest on the elevator, which opened up on the cardiac floor, right at the foot of the cardiac specialist, at just the right moment. A tiny premature baby dying from irreversible lung disease despite the most intensive care who recovered almost immediately after being taken from his hospital bed and placed on his mother's chest. President John F. Kennedy's son Patrick, who died shortly after birth, and whose disease eventually led to research that saved generations of babies. A nine-year-old boy who was decapitated in a horrific car accident but survived without neurological damage. A woman who conceived and delivered a healthy baby--despite having had both of her fallopian tubes surgically removed. A young man whose only hope for survival was a heart transplant, but just at the moment he developed a potentially fatal complication making a transplant impossible, his own heart began healing itself. A teenage girl near death after contracting full-blown rabies who became the first patient ever to recover from that disease after an unexpected visit by Timothy Dolan, the man who would go on to become the Archbishop of New York. A Manhattan window-washer who fell 47 stories--and not only became the only person ever to survive a fall from that height, but went on to make a full recovery. Miracles We Have Seen is a book of inspiration and optimism, and a compelling glimpse into the lives of physicians--their humanity and determined devotion to their patients and their patients' families. It reminds us that what we don't know or don't understand isn't necessarily cause for fear, and can even be reason for hope.
Exceptionally clear, systematic presentation of the evolution of musical style from Gregorian Chant (AD 700) to mid-20th-century atonal music. Over 140 musical examples. Bibliography.
In this volume Guillemette Bolens examines the ways in which artists, authors, and readers draw on skills, sensorimotor capacities, and embodied knowledge when creating and experiencing artistic and literary works. In so doing, Bolens offers a new literary perspective on gesture studies and the role of embodied cognition in narrative. At the cutting edge of interdisciplinary inquiries into gesture, style, narratology, cognition, and literature, this work brings together academic expertise in literary studies with a consideration of neuroscientific and cognitive findings. Bolens studies the relevance of kinesic intelligence—our ability to understand the meaning of body movements, postures, gestures, and facial expressions—to the interpretation of literature. Through her discussions of works by John Milton, Jane Austen, Marcel Proust, James Joyce, and major medieval authors, Bolens shows how our experience of creative works draws on forms of cognition that are grounded in our corporeality. This book represents a crucial contribution from a literary scholar to the exciting new field of embodied cognition. With a foreword by well-known neuroscientist Alain Berthoz, The Style of Gestures convincingly makes the case that embodied cognition is essential to the reception, understanding, and enjoyment of art and literature.
Music as an Art begins by examining music through a philosophical lens, engaging in discussions about tonality, music and the moral life, music and cognitive science and German idealism, as well as recalling the author's struggle to encourage his students to distinguish the qualities of good music. Scruton then explains – via erudite chapters on Schubert, Britten, Rameau, opera and film – how we can develop greater judgement in music, recognising both good taste and bad, establishing musical values, as well as musical pleasures. As Scruton argues in this book, in earlier times, our musical culture had secure foundations in the church, the concert hall and the home; in the ceremonies and celebrations of ordinary life, religion and manners. Yet we no longer live in that world. Fewer people now play instruments and music is, for many, a form of largely solitary enjoyment. As he shows in Music as an Art, we live at a critical time for classical music, and this book is an important contribution to the debate, of which we stand in need, concerning the place of music in Western civilization.
